RE: Crating Survey: Preliminary Results
To
participants in the crating survey; "preliminary results" sent from Ms. Lea
Foster Warden
I
responded to the survey sent 6-04-07, but have heard nothing further. Can
someone help me
as my
company has a fastening/closure system which can be used on wood, plastic or
metal
crates
or containers, lockable, modular design (either custom or standard) with
specific internal
and
external modifications availabile. We have distributors in many countries as
well as certified,
reliable container mfgs. in the US. Our systems have
been tested and approved by the US military.
We
have supplied our systems to the Philadelphia Art Museum for installation on
special containers
for
transportation of furniture to museums in the US for display, the final
destination European
museums. Please see our web site listed below. Thank
you in advance for any help provided.
Dear Lea,
I would have been happy to be involved in your survey. However,
Creative Art Bridges (artbridgesgallery.com) is brand new and will not be
launched until July 4...therefore really nothing to report at this time...give
us 6 months. Joan de Bruin, Director, Creative Art
Bridges
-----Original Message-----
From: Lea Foster Warden
To: MUSEUM-L@HOME.EASE.LSOFT.COM
Cc:
pacinlist@pacin.org
Sent: Mon, 4 Jun 2007 2:52 pm
Subject: Crating
Survey: Preliminary Results
The crating survey is scheduled to close on August 1, 2007. I encourage
institutions and businesses who have not participated to please go to
Below is a list of figures as well as a table containing some
of the comments gathered.
98
participants: 86 museums, 10 crating, 2 exhibit
development
Figures
for 2006
•
2449 crates built (27 participants)
•
491 thrown away (36 museums responded)
•
$543,800 for new crates (21 museums 901 crates)
•
$77,460 to retrofit crates (20 museums responded)
•
$13,400 to dispose of crates
(28 museums)
|
What
are your thoughts about crating and packaging practices in the U.S.
museum field?
|
|
|
We
should look into plastic crates. |
|
|
more
recycling is needed, but really, fewer loans are needed for anything to
be positive for the environment |
|
|
Security
is the top concern, with damage control being a close second. Logistics
is a major problem and only a major trucking company with expertise in
museum items should be used for security and proper handling. Most
damage to contents is caused by vibration.Location handling and storage
is a major concern, probably the least controllable unless your onsight
personnel are available. There must be closer cooperation between those
in the museum field and those in the industrial areas. |
|
|
I
have met quite a few crate builders and all seem aware of this problem,
But we all try as hard as possible to recycle. But how much labor, gas
and other resources can we use to feel green? |
|
|
Much
improved over the years but every now and then you come across some
really bad crating and packing. |
|
|
I
feel that the packing and crating industry is very wasteful. We try to
recycle or give away what we can but would really like to see us all
improve. |
|
|
Wasteful
as with other forms of packaging in the US. |
|
|
We
are wasteful of natural materials most of the time. Despite attempts to
retrofit crates, the size never seems to be correct for the painting we
are packing. Crating has become such a science that it seems the
industry (both museum and craters) want new crates for each loan.
|
|
|
Somewhat
wasteful. A compiled list of local recycling facilities would be most
helpful. |
|
|
Quality
and knowledge seem high, but we do not have a local fine arts crating
firm to rely on and costs are quite high. |
|
Several
fine art handling companies in Europe have designed reusable crates;
primarily for two dimensional objects. These companies have well
established crate leasing programs. Do you think a leasing system could
be established in the United States? Please explain your
answer.
|
|
|
That
would be nice. |
|
|
it's
possible, but I would have to see one that could be optimal on a high
value overseas shipment |
|
|
Yes,
as a leasing plan or something akin to it is now being used, ie. a
returnable charge invoiced to the user by the mfg./originator of the
crate insuring the crates return. The charge is wiped out when the crate
is returned. This charge in a traveling exposition can be paid back to
the original seller and passed along to the next museum, and so on.
There are several other methods available to recoup the expense of
crates/ containers. Each situation may require different accounting to
cover the cost of museum crating. |
|
|
I
do not feel a leasing program is good for our institution. This survey
almost feels like a sales call for this exact program? We at our
institution save as many cases as possible. Retrofitting for objects is
very easy. |
|
|
Probably
not because of the expense and materials used and custom fit not on site
is problematic. |
|
|
If
the interior of the crate could be easily adjusted to fit different size
pieces. The main reason we don't reuse crates more is because ever thing
is so custom and it often costs more to retrofit a used crate for a
different piece than to just make a new one. Also, shipping can really
bang a crate up quite a bit causing them to be unsuitable for more
shipments. |
|
|
|
|
|
Yes,
provided that a series of workshops for brainstorming are arranged for
packers and registrars to meet. It is only in this manner can some
standardize types of "reusable crates" be designed to work for the
various institutions and the collections they crated for exhibition.
|
|
|
Yes,
provided the crates are available in a wide variety of sizes, easily
ordered, delivered and if necessary, available for long-term leasing.
Also the crates should be thoroughly cleaned, stored in a clean
environment and inspected for pests prior to delivery. |
|
|
I
think it worth considering. If crates were easily available, I would
consider leasing one rather than buy another one and store it -
especially if an odd size. In particular for crates which must meet new
international crating standards for pest prevention.
|
This archive was generated by a fusion of
Pipermail (Mailman edition) and
MHonArc.