PACIN Workshop
AAM Conference
Denver, Colorado
May 1, 2008
I. Erika Franek, Registrar for Loans, MFAH
A. Pre-approved museum loans
1. How they come about
2. What the process is before the loan leaves
3. Who must approve the loan
4. Conservation-who pays
B. Approved museum loans
1. Conservation
2. Crating
3. Shipping
II. Scott Atthowe, Owner/Director, Atthowe Fine Art Services
A. Soft-packed object
1. Materials
2. Method of shipping
B. Slat crate object
1. Materials
2. Method of shipping
3. Suitability as storage crate
C. Solid crate object
1. Materials
2. Method of shipping
3. Suitability as storage crate
III. Paul Marcon, Conservation Scientist, Canadian Conservation Institute
A. PadCad program
1. Cushioning
B. CCI current approaches to training
C. Hands on training
D. Practical advice
IV. Kele McComsey, President/Partner of SurroundArt
Materials
V. Camilla J. Van Vooren, Conservator
Travel worthiness of objects
1. How to determine travel worthiness
2. Who should determine travel worthiness
a. Contrast between Conservators/Directors
b. How to make a loan happen
VI. Victoria France, Senior Vice President, Willis Fine Art, Jewelry,
and Specie, Willis Insurance Services of California
Insurance and risk assessment
VII. Reid Schell, Director, Fremont Frameworks LLC
Moving art in rural areas
VIII. Mark Lank, CEO, U. S. Art Company, Inc
Moving art across the country