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I would be interested as well. Thanks. Megan Callewaert, Collections Coordinator Edsel & Eleanor Ford House From:
pacinlist-bounces@pacin.org [mailto:pacinlist-bounces@pacin.org] On Behalf Of mdabney310@aol.com Richard,
Notice from the Chair,
We are looking forward to the PACIN Workshop in Richard Hinson PACIN, Chair Richard
Hinson Collections
Manager, (713) 639-7734 PACIN
Workshop AAM Conference May 1, 2008 I.
Erika Franek, Registrar for Loans, MFAH A. Pre-approved museum loans 1. How they come about 2. What the process is before the loan
leaves 3. Who must approve the loan 4. Conservation-who pays B. Approved museum loans 1. Conservation 2. Crating 3. Shipping II.
Scott Atthowe, Owner/Director, Atthowe Fine Art Services A. Soft-packed object 1. Materials 2. Method of shipping B. Slat crate object 1. Materials 2. Method of shipping 3. Suitability as storage crate C. Solid crate object 1. Materials 2. Method of shipping 3. Suitability as storage crate III.
Paul Marcon, Conservation Scientist, Canadian Conservation Institute A. PadCad program 1. Cushioning B. CCI current approaches to training C. Hands on training D. Practical advice IV. Kele McComsey, President/Partner of SurroundArt Materials V.
Camilla J. Van Vooren, Conservator Travel worthiness of objects 1. How to determine travel worthiness 2. Who should determine travel worthiness a. Contrast between Conservators/Directors b. How to make a loan happen VI. Victoria France, Senior Vice President, Willis Fine Art,
Jewelry, and Specie, Willis Insurance Services of Insurance and risk assessment VII. Reid Schell, Director, Moving art in rural areas VIII. Mark Lank, CEO, U. S. Art Company, Inc Moving art across the country Get the
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