Re: {Collins} S-Line Question for Collins Historians
----- Original Message -----
From: "Charlie T, K3ICH" <pincon@xxxxxxxxx>
To: <collins@xxxxxxxxxxxxx>
Sent: Sunday, June 26, 2011 4:04 PM
Subject: Re: {Collins} S-Line Question for Collins
Historians
RE: Modern look of the S-Line
It all looked right at home in Arthur Godrey's "Glass
Bottom Boat" movie.
Compared to the Frankenstein's lab look of the A-Line*, it
must have been a welcome sight to the modern housewife of
the fifties.
I can certainly see a wife approved station on a table in
the family room. ( two or three cabinets max though.)
73' Charlie k3ICH
* NOT my opinion......just something I heard from someone
who apparently didn't appreciate the beauty of St. James
Gray.
Well, its not my opinion either. I think the A line is
actually quite attractive but it _looks_ like industrial
gear and not home hi-fi. The interesting thing is that the
S-line stuff looks much more elegant to me in person than in
photographs.
I think Collins was always aware of appearances even in
the earliest transmitters. They all have a certain elegance.
The history of industrial design is interesting. I
think there began to be a movement around the mid 1930's to
move away from the steam locomotive look. Actually,
"streamline" steam locomotives were among the first. Western
Electric employed outside industrial designers for both its
sound equipment and telephone equipment c. late 1930's. Have
a look at WE's broadcast transmitters, speech input
equipment, and the famous 639A/B microphone. The microphone
is interesting because it was intended to suggest its
uni-directional characteristic. The patent shows a reversed
arrangement of the two elements from the commercial version,
evedently done to fit it into the tear-drop shaped case. The
patent arrangement is the better one from an acoustical
standpoint but I think some form-follows-function was
abandoned for pure looks. I don't see any sign of this in
the Collins gear, the S-line appears to have been designed
with convenience and simplicity of use in mind but even the
A line has good egonomics (means the controls are easy to
reach and are where you expect them to be). I think the
design objectives moved from what looked good in the radio
room or shop to what looked good in the executive offices or
home. There was undoubtedly some market research behind
this. personally, I like big-knob equipment and large dogs.
--
Richard Knoppow
Los Angeles
WB6KBL
dickburk@xxxxxxxxxxxxx
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